21 August 2020

Blooming twilight and Formalism in Nature

 


A painting like this done the other night reminds that somewhere deep inside me, is a strong desire to render these often messy studies into something more formal, not symmetrical, but balanced. They are about as 'Greek' as I can imagine, if I stretch the parameters of an Athenian sense of aesthetic.
It's as if I can reduce all of Nature's magnificent beauty down to a canvas board of 25 X 30 cm. A tall order, ha ha. But there is a truth to this understanding inside me. 

After all, I stand at twilight in front of the vast sky and sea in all directions. This is the 'blooming' hour when colours morph away from the shadows of day into the light of night. It is in these instants of 'bloom' when magic ferments.

The study below, which I like very much and consider a success, is entirely different. 
The sky was certainly less balanced than the study above and with an irregular design which provokes a particular feeling in me when I begin working. It might be the changing aspect of the sky which pushes an urgency to find a solution for it. This can lead me to more risk and the capricious rendering is a result of all this. 

But also, I can be very insouçiant in front of such a sky and sea which isn't as easy to figure out in such a short bit of time. My uncertainty is what can create greatness. Left to my own devises in front of a steady designed motif and I shall resort to what I already know. And this rarely results in something new, or maybe even great, in its own way. 

But, I like them both. They were done about ten days apart so they are cousins, so to speak. 



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