Kenko is very special. His love for the Japanese idea of beauty aligned with impermanence; his preference for all which is irregular and unfinished, and his love for the understated and the restrained make him a kind of hero for me. From his essays on idleness:
'Are we to look at cherry blossoms only in full bloom, the moon only when it is cloudless? To long for the moon while looking on the rain, to lower the blinds and be unaware of the passing of the spring - these are even more deeply moving. Branches about to blossom or gardens strewn with faded flowers are worthier of our admiration. Are poems written on such themes as "Going to view the cherry blossoms only to find that they had scattered', or is 'On being prevented from visiting the blossoms' inferior to those on 'Seeing the blossoms'? People commonly regret that the cherry blossoms scatter or that the moon sinks in the sky, and this is natural; but only an exceptionally insensitive man would say, "This branch and that branch have lost their blossoms. There is nothing worth seeing now."
In all things, it is the beginnings and ends that are interesting. Does the love between men and women refer only to the moments when they are in each other's arms? The man who grieves over a love affair broken off before it was fulfilled, who bewails empty vows, who spends long autumn nights alone, who lets his thoughts wander to distant skies, who yearns for the past in a dilapidated house - such a man truly knows what love means.'